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This is one of McCarthy's most delightful books, although it may also be her least controversial. VENICE OBSERVED might be the best single travel book ever written on Venice, and MCarthy's tone is leisurely and informative, her style witty and engaging. Her asides about her personal experiences in the city complement her grander historical and artistic musings: you never feel alienated from her prose (the way you can in her earlier THE STONES OF FLORENCE). Her anecdotes about the doges, Tintoretto, Veronese, the Councils, etc. greatly enhanced one's understanding of the city, and her musings on the art are thoughtful and illuminating.
Written in 1956, "Venice Observed" was a precursor to "The Stones of Florence" (1959), one of the better travel books ever written. As in "The Stones of Florence," McCarthy weaves a tapestry of art, history, literature, sociology and cogent observation, but this earlier effort is not as well organized as the later book, leaving the reader to dig out the gems that lay within.
Apparently the original hardback versions of both books contained high-quality photographs, and were experiments in presenting the two modes of communication together. Depending upon which edition you buy, the paperback versions either lack photographs altogether or contain low-quality reproductions. While that obviously detracts from the experience, the text standing alone bears witness to an extraordinarily well-disciplined and fine mind at work.
Since McCarthy was born in 1912, she would have been 44 at the time this book was written, hardly the ingenue that other reviewers suggest. In fact, after reading both books, one suspects that this woman was born mature.
It is interesting to note that throughout this book, McCarthy refers to John Ruskin's "The Stones of Venice," which explains her choice of title for "The Stones of Florence."
Talk about taking the joy out of an experience. I read this book prior to a week-long trip to Venice. This book quite simply accomplished none of its objectives. It is a poor "guidebook" and is poorly written and uninteresting in terms of a travelogue. The history and art of Venice are covered better in books from those genres. The only upside is that it is short. Yuck, what a waste of time. My advice is: get a novel about Venice if you like novels, a guidebook if you want that, an art book, or a history book. At least you'll get something out of those--this one tries all of these and fails. Actually, in terms of a travelogue, "Vendela in Venice" far surpassess any other Venice book I have seen. Although I originally bought it because it is considered a children's book, it is not dumbed down at all and adults will enjoy it...
