Sea and Sardinia (The Cambridge Edition of the Works of D. H. Lawrence)

• Paperback - 11 April, 2002 - Cambridge University Press
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• By: D H Lawrence, Mara Kalnins, James T Boulton, M H Black, Lindeth Vasey and John Worthen
• ISBN: 0521285755

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Other books you may find interesting

• D. H. Lawrence and Italy: Twilight in Italy; Sea and Sardinia; Etruscan Places (Penguin Twentieth-Century Classics)
• Extra Virgin: A Young Woman Discovers the Italian Riviera, Where Every Month Is Enchanted
• On Persephone's Island: A Sicilian Journal (Vintage Departures)
• Sardinia (Eyewitness Travel Guides)
• The Rough Guide to Sardinia 2 (Rough Guide Travel Guides)
• Sardinia, 3rd (Country & Regional Guides - Cadogan)
• Authentic Sardinia (Authentic Italy)

Reviews by readers

DHL and the Queen Bee do Sardinia

In 1921, D.H. Lawrence joined the British literary tradition of writing a travelogue. He and wife Frieda, "the Queen Bee," were weary of Sicily where they were staying and selected Sardinia for its promise of unspoiled primitiveness and lack of "tourist-parasites." Though SEA AND SARDINIA follows many of the conventions of the travelogue genre of the time, playing to the market for a foreign experience, moments of wonder mixed with irony and nationalistic-centric sentiments, it is also a self-revealing journal in which Lawrence's passions, rages and perspectives get a frequent work-out.

As travelogues go, SEA AND SARDINIA may be found somewhat lacking in the description of landmarks. Lawrence focuses on encounters with the people, who presented a multi-layered lesson in the collision of the ancient with the 20th century and the recent war. In speaking to the audience back home, Lawrence often expresses himself in literary and historical allusion and his musings ring with a psychological resonance that is both intentional and unintentional. The result is an entertaining and informative experience that imparts much about post-war Europe and this particular traveler.

This is a fine critical edition. The annotations are discretely listed at the back of the book, with no disruptive footnotes blotting the page. There are also a good map, a glossary of Italian words and phrases and a brief bibliography following the text. A chronology of Lawrence's career precedes it, as does a critical introduction. Despite the quality of the introduction, I heartily recommend reading it AFTER you've enjoyed the text on your own terms, because it gives away some of the surprises (as critical introductions are wont to do).

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